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about the fiscal cliff, affordable care act in laying the groundwork for the 2013-2014 elections. >> why a writers institute? >> i think it is something that is very important. we are a culture of words, of voices. words are a key to our imagination, our capacity to imagine things. we are not completely tied to print on the page. there is no other art form so readily accessible other than perhaps soma, which we work with, too. there is something in literature that captures the human. . the >> joint american history television and c-span local content vehicles as we look behind the scenes of a letter lives of new york city. >> next you hear from bradley manning's attorney about his case. he is accused of leaking classified documents to the web site wikileaks. the trial is under way in maryland. he testified earlier on the conditions he has experienced since being detained in iraq. this is half an hour. >> i really appreciate the turn out here, especially the turn of by the press. thank you for that. i have not participated in any public event for today. i also avoid any interviews with th
's an election year and people say things in that process. and now that we have a movie that is actually going to be in theaters soon, i think people will see we didn't come with any agenda at all. >> i think one of the things they're going to be surprised at one of the center characters, perhaps the person most responsible for finding where he was hiding was a woman, the character you play, mya. what did you think of her? >> well, when i first read the script, i was shocked that a woman played a central role in it and then i was upset at myself that i was so shocked. why wouldn't a woman play a central role to it? it helps when your script writers and investigative journalists. three months before we start shooting to basically go to school. >> did you get to meet her? >> no, she's an undercover cia agent. >> was there pressure bringing her to the screen knowing she may be watching your portrayal of her. >> or sitting next to me on a bus. >> she could be running the camera in here. we don't know. >> yes, there's a lot of pressure. because whenever you play a real life person, especially a wom
Search Results 0 to 1 of about 2